Monday 13 April 2015

Kanak Mask

Here's a startling thing for you: a ritual New Caledonian mask which sold last year at Christie's.

Little is known about the use of such masks as the rituals they were associated fell out of use during the early days of Western colonisation. According to the sale catalogue, their use was not unlike a European crown - they were used by the leader during special ceremonies and helped confer and legitimise his power by providing a direct link to previous generations. Of course the ceremonies were somewhat different - a warrior tribe with a warrior leader has very different needs to a monarchy which claims its power is derived from God - and apparently some of the ceremonies involved the leader pursuing the crowd and brandishing a spear at them.

Artists tend to look at such objects in one of two ways. There is the post-modern approach in which the artist may see himself as an anthropologist, social historian or satirist and will focus on the use and context of the object, be that real, imagined or subverted. I prefer the modernist approach which doesn't pay so much attention to the object's purpose and instead simply revels in its physicality. Picasso was perhaps the most famous exponent of this and built up a small but noteworthy collection of African and pre-historic objects.

Looking at this mask as a thing, with neither context nor specialist knowledge to colour my judgement, I find it astonishing. Bold, confident carving has created a series of remarkable interlocking forms and the talon-like nose, flared nostrils and bared teeth give the face a real power. The emotional effect must depend entirely on whether it is being worn by friend or foe. One important thing to keep in mind when looking at a mask is that it is meant to be worn. The facetted carving and polished black finish on this example means it must glitter and flash as the wearer moves - all except the mouth which would be in shadow and is less polished and so would always remain dark and gaping. The other implication of it being worn is the only way of seeing as far I can tell would be to look through the mouth. This means the wearer would instantly appear to be a foot taller than he really is, especially as real hair was affixed to the top.

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