There's a lot of intriguing stuff going on here. Half the painting is given over to the night and the moon, the other to the day and the sun. Most of the daylight is about the solid ground beneath our feet; the world made tangible. Most of the moonlight is about the sky, an inaccessible realm of dreams; the world made ethereal. Meanwhile the twin hills that are the Wittenham Clumps are divided, one preserved for us in daylight, one given to the night. As Tom Lubbock wrote, Paul Nash reveals that "we live in a changeling world." Never is that more apparent than in this painting, and never is it a more appropriate observation than at equinox or solstice.
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